๐Ÿ‘โ€๐Ÿ—จ๐Ÿ“ฒ – ๐Ÿ‘โ€‹็‚นโ€‹ๅ‡ปโ€‹ใจโ€‹๐Ÿ‘ Review [Kats Kill Records]

Itโ€™s Spotify Wrapped season and Eyeclick have delivered an album that sounds like an entire streaming serviceโ€™s catalogue playing at the same time. 

Just as artists like Blank Banshee and Internet Club captured the spirit of web browsing a decade or so ago, the duo of Will Wade (Cucks) & Nathan Raile (Enraile, Millennium Edition) have created their own kind of smartphone pscyhedelia with their new album ๐Ÿ‘โ€‹็‚นโ€‹ๅ‡ปโ€‹ใจโ€‹๐Ÿ‘ (I Click With My Eye), available on Pad Chenningtonโ€™s Kats Kill Records.

The word โ€˜browsingโ€™ and the idea of websites now seem leisurely and quaint and Eyeclick have updated the aural experience for the app era. Tunes are cut short abruptly as if flicking through to the next Reel and notification pings interrupt without warning. The irritating and uncanny TikTok text-to-speech narrator even makes an appearance alongside other AI voices. There are some moments of extremely audacious sampling (the track โ€˜Satya เคคเฅเคฎเฅเคนเคพเคฐเฅ‡ เคฒเคฟเค Incense เคเค•โ€™ and its reprise use a pop A-listerโ€™s 2001 anthem as its material) that befit Enraileโ€™s mantra โ€˜copyright doesnโ€™t exist – steal everythingโ€™.

https://twitter.com/VAPORSPACE_StL/status/1687187732387299328

These moments feel like a dare to copyright-detection algorithms, intellectual property hiding in plain sight like a Family Guy Funny Moments compilation surrounded by a Subway Surfers speedrun and a Pinkydoll โ€˜ice cream so goodโ€™ clip.

There are a few bangers of the kind we saw Eyeclick play at their recent NYC Tape Swap and LA Flamingofest shows. They have a real knack for transforming global pop songs into dancefloor smashes and Iโ€™m sure tracks like โ€˜Disgusting เฎชเฏเฎฒเฎฟ (ั€ะฐะทะปะฐะด)โ€™ will be permanent fixtures in their sets. Even while working exclusively with samples, the duoโ€™s Ableton chops are on show here with intricate edits, daring use of silence and departures from the 4/4 grid. 

Generally however, the atmosphere is downtempo, reflective and sincere with plenty of slushed-out somnolence and moments of beauty and balladry in the mold of Deathโ€™s Dynamic Shroudโ€™s โ€˜Just To Be Neededโ€™. Eyeclick describe this record as being their love letter to vaporwave and this is clearly audible. Particularly lovely is the track โ€˜้Œซๅฎ‰ๅฑฑ๐Ÿ‘่ฟฆๅ—ๅœฐๆœ‰ๆฉŸ่พฒๅ ด๐Ÿ‘ไพ†ๆ–ฐ็ด„ๆ•™ๆœƒๅ—ๆด—ไธŠๅคฉๅ ‚๐Ÿ‘โค๏ธ่ขซๆrapture โœŒ๏ธ๐Ÿ˜ญ๐Ÿ‘Œ๐Ÿ™๐Ÿ‘‚๐Ÿ‘โค๏ธ๐Ÿ€„๏ธโ€™ with its hopeful and naive lyric โ€˜Look for the rainbow in every storm / Fly like an angelโ€™ turning from a banal inspirational Instagram quotation into something euphoric and rapturous as it repeats.ย 


This album feels bittersweet as it is to be the last release from Padโ€™s KKR label. There will be a birthday/wake in the form of a URL show at 8pm EST on December 1st, featuring Luxury Elite, Christtt, Fire-Toolz, ์‹๋ฃŒํ’ˆgroceries alongside Eyeclick themselves. Slugfest 3.

Make sure to tune in to pay your respects and enjoy the premiere of the visual album that accompanies this release.

Thom Hosken


One response to “๐Ÿ‘โ€๐Ÿ—จ๐Ÿ“ฒ – ๐Ÿ‘โ€‹็‚นโ€‹ๅ‡ปโ€‹ใจโ€‹๐Ÿ‘ Review [Kats Kill Records]”

  1. […] scratches a similar itch to Eyeclickโ€™s recent ๐Ÿ‘โ€‹็‚นโ€‹ๅ‡ปโ€‹ใจโ€‹๐Ÿ‘ LP, which I reviewed here. Itโ€™s the pop banger โ€˜Serenaโ€™, featuring Maria on vocals that I enjoy most though. Seeing […]

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